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    8 comments

    1. Arashirg

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      The Fugue begins with a slow, quiet subject built entirely around B-A-C-H and a transposition; Reger's ceaseless exploration of these two intervals in this work could almost be counted as a precursor of Arnold Schoenberg's work.
    2. Digul

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      Find helpful customer reviews and review ratings for Fantasy & Fugue on B-A-C-H at enanenacnonjohnfunhurtmedtobothe.infoinfo Read honest and unbiased product reviews from our users.5/5.
    3. Durisar

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      Präludium und Fuge über das Motiv B.A.C.H. Fantasie und Fuge über das Thema BACH Name Translations Fantasie und Fuge über das Thema B-A-C-H; Fantasía y fuga sobre el motivo BACH; Fantasy and Fugue on the Theme B-A-C-H; B-A-C-H fantázia és fúga; バッハの名による幻想曲とフーガ: Name AliasesAuthorities: Wikipedia.
    4. Arashir

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      About half an hour in length, it is essentially an extended fantasy on the final incomplete fugue from Bach's The Art of Fugue. It uses several melodic figures found in Bach's work, most notably the B-A-C-H motif. Busoni revised the work a number of times and arranged it for two pianos.
    5. Kigagrel

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      Aug 19,  · Franz Liszt () Fantasy and Fugue on the name "B.A.C.H." (syncretic version) Jean Guillou plays the great Van den Heuvel organ of the St. Eustache church in Paris, France. Recorded in June.
    6. Mauramar

      Reply
      Mar 07,  · Bach's familiar Fantasy and Fugue in G Minor, a more ebullient, improvisatory work, received a more satisfying performance. The program also included Bach's Trio Sonata No. 2 .
    7. JoJok

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      Jan 12,  · About this Piece. Max Reger () meticulously edited the final score of his fin-de-siècle Fantasy and Fugue on B-A-C-H, Op. 46, so that chromaticism, rhythm, dynamics, tempos, and organ registrations take the music to almost fetish extremes. Purposefully assigning the first note of the Bach motive as the tonic, an unchanging five-flat key signature suggests a chromatic B-flat minor in.
    8. Nikoshakar

      Reply
      The Fantasy and Fugue on B-A-C-H is an at times uncharacteristically abrasive piece that, though it has never been among my Liszt favourites, still requires a formidable technique. That said, Groh's is one of the most balanced and well thought-through renditions I have come upon for some time, and one that will be especially valuable to 5/5(6).

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